Kandahar Theatrical Group (c.1878-1880)
An historian friend of mine sent me this archived photograph from the World Digital Library of a theatre group in Kandahar, dating as far back as 1878-1880 during the Second Anglo-Afghan War. I received this with so much thrill and excitement. This is probably one of the rarest photographs existing today about older Afghan theatrical forms, as well as its location.
Attributed to Sir Benjamin Simpson, this photograph has the following description on the website (see link):
This photograph of a theatrical group is from an album of rare historical photographs depicting people and places associated with the Second Anglo-Afghan War. The members of the group are dressed up indifferent comic costumes. A man on the far left side of the portrait is pantomiming a mother holding a rather unhealthy looking “child.” Other soldiers are dressed as Afghan tribesmen, Sikhs, beggars, jesters,and a vendor of “Camel hot pies.” The Second Anglo-Afghan War began in November 1878 when Great Britain, fearful of what it saw as growing Russian influence in Afghanistan, invaded the country from British India. The first phase of the war ended in May 1879 with the Treaty of Gandamak, which permitted the Afghans to maintain internal sovereignty but forced them to cede control over their foreign policy to the British. Fighting resumed in September 1879, after an anti-British uprising in Kabul, and finally concluded in September 1880 with the decisive Battle of Kandahar. The album includes portraits of British and Afghan leaders and military personnel, portraits of ordinary Afghan people, and depictions of British military camps and activities, structures, landscapes, and cities and towns. The sites shown are all located within the borders of present-day Afghanistan or Pakistan (a part of British India at the time). About a third of the photographs were taken by John Burke (circa 1843–1900), another third by Sir Benjamin Simpson (see (1831–1923), and the remainder by several other photographers. Some of the photographs are unattributed. The album possibly was compiled by a member of the British Indian government, but this has not been confirmed. How it came to the Library of Congress is not known.